11.02.2010

Staehle's Revenge

How i only wish i could do something as good as Wilhelm Staehle...



10.31.2010

Constellations

What's Your Damage?


They threw my week's worth of printmaking in the bin last year. Bastards. This includes most of the pictures i took in Barcelona.
As it's all I have to show for a wasted week last summer, would i sound smug if i said i thought they were 'Choice'? No? Good. I feel like watching Heathers again...



Etchezzzz



10.28.2010

Miss/Mrs/Ms

'If Miss means respectably unmarried, and Mrs respectably married, then Ms means nudge, nudge, wink, wink'

ANGELA CARTER

10.27.2010

10.26.2010

Beardy Man Take 2

I did an etching workshop for the whole of yesterday that was just lovely. And, having taken my sketchbook with me, i recreated my beardy man on a zinc plate and spent the last hour or so printing. It was so lovely learning the whole complicated-but-not-really process of what i though was just scratching into a plate and printing and i made sure i made notes so i can amble in there on a friday and just do it myself next time. My prints are still drying in the etching room so i'll just have to content myself by scanning in the plate covered with my greasy fingerprints.

10.23.2010

woops


This little guy was found when i was procrastinating and i happened to pause at the perfect moment. Yes, of course, today was a poor working day. i was constantly distracted by EVERYTHING and wrote maybe 250 words for an entry from July. I tidied up my desk thinking maybe working somewhere other than my bed would result in a better yield of work. This is too difficult. Tomorrow needs to be more productive.

Screen printing got cancelled (?) on friday so fingers crossed for monday, where i may be able to muscle my way into that or etching. Now off to search for some bad tv to make me feel guilty about this really really unproductive day.

10.21.2010

Woodtype


It won't let me put each up individually because the files are too big so this awful hasty assemblage will have to do for now.
Diary to do. Evaluation to do... but screen printing tomorrow!
So it's not all bad at all. I also might be helping with blue train/V&A invites and market stuffs. busy busy bee

10.19.2010

FINALLY

i got to do letterpress yesterday. So so fun, i was in the room from quarter to 10 to quarter past 4 with no venturing out and hardly any sitting down. A lot of ink on paper i must say. Nothing too difficult, but it was nice doing the same repetitive motion until it felt comfortable and i fully got to grips with the furniture and amount of ink and the hand press. A friendly group of first years surrounded me with expectant faces waiting for me to give them an induction in the afternoon... although it was more likely that it was that i was covered in ink and the only one in the room than me looking like a pro. but i can pretend. Scans to come, and all day screen printing on friday. cue celebratory music:

10.16.2010

The Geometry of Pasta

I remember seeing this over the summer but foolishly didn't bookmark it or anything so was pleased as punch when i found it again on the imprint website. WHAT A BEAUT, i wish i could do something as good as that and I'd bloody love to work for them. It's almost a crash course in layout in itself, plus the jacket folds out to form a pasta poster. What's not to love? I can't wait to get my greedy mitts on it...


On another note, i can't wait to start doing some actual work again and posting that stuff. I'm a bit sick of just posting bits i've found. Roll on next week, even if it looks to be full of 7am starts...

9.23.2010

Edward Lear


I found the most incredible book yesterday at the Southbank book market (Edward Lear's Nonsense Omnibus) full of gems and gorgeous little drawings but put it back because i thought it's £7.50 price tag was too hefty for my pockets. Really regretting not getting it now. As i knew i would...


http://www.belz.net/teaching/edward_lear.html

9.19.2010

V&A...again

I've been doing bits and bobs at the v&a for a few months now, helping out in workshops as well as designing an identity for their youth forum CreateVoice. Nothing that was a huge departure for me though; black outlined and hand rendered type but I had some lovely feedback from it which is encouraging. Now to start designing a postcard pack to woo a supermodel!

9.13.2010


My neck's hurting like a billy-oh from all this work...

9.05.2010

Ivor Brown

I gots an Ivor Brown book, 'I Give You My Word' for £1 today in Leicester Square. Boom. It's beautiful and full of words like ambuscade, cargozoon, inveigle and potwalloper.


A lovely end to a lovely day wandering around the Tate on the last day of the 'Rude Britannia' exhibition. Altogether an ok show; i was particularly fond of an H.M Bateman print on show (The Lost Stamp) and the satirical drawings of the fashions of the day by Philip Dawe et al. By far the best thing was Mike Nelson's Coral Reef exhibition, a beautiful labyrinth of corridors and rooms with unmarked doors reminded me a bit of being in a ship and left me in a curious discovering mood...

8.24.2010

One of those days

that just couldn't end quick enough.
I hate the beginnings.

8.21.2010

It's been a pink weekend


Bearded man! This is where the swirly lines really took hold, i liked their effect and wanted to do it on a larger scale which led to the Chekov spreads. I like how he looks like he was aiming for princess leia after a few drinks so the buns have ever so slightly slipped down his head. What a man. I'm really happy with how this came out! A more productive form of procrastination, but procrastination non the less. I realllllllly need to sort my act out and get this v&a stuff done.

Anton Chekov



I'm not too good with colour in my illustrations and have recently found that using coloured typography instead of my standard black outline really lifts the image. This is Chekov quote that stuck a chord with me and i just thought it evoked such rich imagery. I wanted to play around with a different technique than my standard black outline so tried out the waves by filling then with lines of varying thickness to show the different tones.